Born from a tear drop of Chenrezig, and a vow to be a mother to serve all sentient beings until they reach Buddhahood, the female bodhisattva Green Tara is one of the most well known and practiced figures in Tibetan Buddhism.
The twenty-one manifestations of Green Tara each represent a certain aspect of sentient beings' fear and suffering in order that people can pray and honour Tara for protection and liberation from different fears. While Tara's relative blessing is protection from fear and suffering the ultimate blessing is to become Tara. Written by Buddha Vairochana, a very well known and well-practiced Tara praise is the 'Praises and Prostrations to the Twenty-one Taras'. Contained herein is a detailed commentary on this by Chamgon Kenting Tai Situpa. Rinpoche goes through each of the twenty-one Taras, describing how each appears and what fears they protect from.
Praises & Prostrations to the Twenty-one Taras, Tai Situ Rinpoche, Zhyisil Chokyi Ghatsal, Paperback, 2009, 176 Pages, $24.95
The Kenting Tai Situpa incarnations are renowned Buddhist masters and holders of the Golden Rosary Kagyu lineage. The 12th Kenting Tai Situpa is the founder and Spiritual head of Palpung Sherabling in exile in northern India. Under his direction, Palpung Sherabling cultivates and preserves the artistic lineage of the Palpung tradition and has established a place to display and maintain the culture and lineage of Tibetan Buddhism. The 12th Kenting Tai Situpa continues the traditions of the profound unbroken practice lineage of the Tai Situpas and, as a renowned Buddhist teacher, is training the next generation of Buddhist masters. As a highly sought after Buddhist master, he tours widely, giving teachings and empowerments at the request of monasteries and dharma centers. On a more personal level, the present Tai Situpa is a scholar, poet, calligrapher, artist, author, architect and geomancer.
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Contents: Praises & Prostrations to the Twenty-One Taras, by The 12th Chamgon Kenting Tai Situpa |
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Biography of Chamgon Kenting Tai Situpa |
7 |
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Praises and Prostrations to the Twenty-one Taras |
11 |
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INTRODUCTION |
23 |
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PRAISES AND PROSTRATIONS TO THE TWENTY-ONE TARAS |
39 |
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The Title |
41 |
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1. Drolma Nyurma Pamo |
44 |
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2. Drolma Loter Yangchenma |
50 |
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3. Sermo Tob Kyema |
52 |
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4. Tsuktor Nampar Gyalma |
56 |
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5. Rikyi Lhamo |
59 |
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HISTORICAL, SYMBOLIC AND ESSENTIAL MEANING OF TARA AND AVALOKITESHVARA |
64 |
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6. Donrig Namjom Drolma |
69 |
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7. Drolma Tummo Shangyi Mitubma |
83 |
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TARA, THE MOTHER |
90 |
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8. Shan Migyalwai Pamo |
94 |
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9. Singdin Nak Kyi Drolma |
100 |
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10. Jikten Sumgyal Drolma |
105 |
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11. Ulsel Norter Tronyejan |
109 |
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12. Tashi Pe Drolma |
114 |
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13. Drapung Jomma |
118 |
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14. Drolma Tronyerchen |
123 |
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15. Shiway Drolma Rabtushima |
131 |
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16. Drolma Barway O Chenma |
135 |
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17. Pamay Nonma |
141 |
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18. Drolma Maja Chenmo |
145 |
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19. Drolma Mipam Jalmo |
148 |
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20. Drolma Ritromo |
152 |
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21. Oser Janwi |
155 |
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CONCLUDING VERSE |
161 |
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CONCLUSION AND DEDICATION |
162 |
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The Twenty-one Taras |
164 |
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Notes |
167 |
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Index |
169 |
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About Palpung Sherabling |
173 |
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